Look upon my works, ye Mighty.





Dunadd, ‘fort of the Add’, is a natural rocky hill fort topped by a citadel that rises 54 metres up from Moine Mhor, the expanse of bog that carpets the southern end of the Kilmartin Glen in Argyll in western Scotland, and through which the River Add threads its way to the Atlantic. 

Excavations in the 1980s found evidence that Dunadd was serving as a fort in Iron-Age times, over 2,000 years ago.
But it is the site’s re-use as a royal power centre by the Gaelic kings of the Dál Riata in the 6th to 9th centuries for which it has become internationally renowned. 


I was looking at a photo of a trio of lovely ladies standing on an ancient man-shaped figure carved into the bedrock of the summit of Dunadd. 
(Pretty impressive photo, I must admit. Three strong, proud women, like the daughters of Katy Elder, disproving the ancient philosopher's suggestion that "the pulchrum and the utile are dealt out in equal portions under a whimsical law against their combination".)

And I was thinking, once again, of the permanence of rocks. 
Of how the big stone man was stood upon 16 centuries ago by the Kings of Dalriada in the pomp of their Ozymandias moments, impregnable on their dun. 
How grand they were, how important. 

Yet only the stone man remains, at one with my beach rocks, unmoved by the Kings of Dalriada or my beautiful girls. 



(Shelley's "Ozymandias" has been with me since my schooldays, and is frequently brought back to mind by tediously repetitive displays of hubris and futility. 
It should be recited at the opening of parliament each day.)